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Mastering in logic pro x youtube free. How to Master in Logic Pro X
How to Master in Logic Pro X — Sage Audio
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Knife Painting. How To Become. Dj Kit. So, setting a threshold that catches and reduces those peaks to make our track level more consistent is the best way to begin. But what exactly happens when the signal does surpass the threshold? Does gain reduction immediately kick in? Not necessarily. The attack setting controls how much time it takes the compressor to apply gain reduction after the input signal passes the threshold.
If we set the attack time to 5 ms, it will take 5 ms for gain reduction to apply after the input signal passes our dB threshold. Setting the attack time will vary from instrument to instrument, and even from song to song based on tempo and a variety of other factors. Most of the time, slower attack times work well; think somewhere between 20 and 40 ms. A slow attack means the entire note will be compressed after it passes the threshold, rather than just the initial transient.
If you want to crush fast transients, say on a snare of rapidly-picked guitar, fast attacks do the trick. Release is another time setting that determines how quickly the compressor turns off after the signal drops below the threshold. Again, this is a very important setting that ultimately determines how the compression will sound. If the release is too quick, the audio will start to sound unnatural.
A good starting point is somewhere around 60 ms. Where you go from there will depend on the overall rhythmic feel and tempo of the song itself. A general rule of thumb is to increase the makeup gain until the level coming out is equal to the level going in.
Or, you can push the makeup gain even more to get more overall level out of a track. Understanding compression basics will help you utilize it effectively on a variety of sound sources. People like to use Studio FET style compression on things like kick, snare, vocals, and other instruments with lots of transients. The best thing you can do is try out each of the 7 compressors and get to know which ones you like the most!
Logic Pro X makes using reverb very simple, providing users with excellent stock reverb plugins as well as a number of awesome sounding presets. In Logic Pro X, simply open the mixer window, select which tracks you want to Send, and choose an available Buss. Logic will automatically create a properly routed Aux Return for you! This volume knob determines how much signal is being sent to the Aux Return. Now you can load up an instance of ChromaVerb , which has really great chamber sound right out of the box.
You can further adjust the amount of reverb on individual tracks using the Send level. Assuming you already own a few third-party plugins, this walkthrough will help you install them for the first time. Luckily these days, nearly every plugin developed is cross-platform. If you need to add some presence and clarity to your master, boost somewhere between kHz.
This will also make the master sound louder, reducing the need for more aggressive limiting later on. This will help the lows stay mono. This gives it a nice sound and sets us up well from more aggressive limiting later on.
Logic offers a good emulation of a Pultec EQ, which works well when mastering since the curves it imparts are really gradual and natural sounding.
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